Canon 70-300mm IS MK II review
This is about the new Canon 70-300mm\ 4-5.6 IS II Nano USM lens, Canon finally updated their consumer grade version of the 70-300mm. I did owned the previous version (70-300mm IS USM), it was a good lens for the price but the IS was loud and clunky, this new version will certainly be better in that department. As soon as it was available I pre-ordered one, I currently own the 70-200mm/4 L (non-IS) which is a very good lens but i’m often in needs for more reach and i’m missing the IS. Also I have a big gap between my 70-200mm and my 400mm/5.6 L.
My expectations for this newer version of this lens are: better AF, better IS and better IQ than the older version.
Canon still doesn’t supply lens hood with their consumer lenses compared to Pentax and Fuji (2 brands that I’ve owned or still use, which supplies hood with virtually all their lenses). Unfortunately the hood of my 70-200mm/4 L (non-IS) doesn’t fit even if the filter size of both lenses is the same 😦 So I had to buy the Canon ET-74B for 73$ (Canadian), this hood have a release button on it, so the hood is really solidly locked to the lens, good design but is missing a window to turn polarizer filters.
The minimum focusing distance is closer than the previous version (1.2 meter versus 1.5 meter) but the magnification ratio is the same 0.25 x which means that the version II is framing wider than the MK I version.
The LCD display on the lens is something new in lenses, ZEISS have it and now Canon. Is it a gadget, will it endure years of field abuse ….. only time will tell but the LCD on my 7D is still working and if the quality of the LCD on the 70-300mm is equal it should last the life of the lens ! Personally I don’t see any use for it on such a lens …… maybe on a Wide angle zoom lens the DOF marks for the f-stop would be useful but not on a telephoto zoom lens, and focal lengths are not useful to me since they are already marked on the lens barrel, but I find it more useful in the EXIF data anyway. As for the IS info it’s completely useless in my opinion !
Build quality is very good, certainly a good step above the MK I version. The lens feels solid in the hands and the zooming ring is well dampened but the focusing ring is more like most AF lenses a little loose but I’ve seen worst than this one.
The lens have a button to lock the zoom ring at 70mm for transport, it would have been great if it could be locked at different focal lengths …… maybe too much to ask 🙂
I really like the new Nano USM AF system, very silent and fast, certainly better than the one on my 70-200mm/4 L non-IS ! Works quite well up to now. The Nano AF system will be very useful for video shooting.
All the photos posted here were taken with my old 7D in RAW. In short the IQ is quite good at every focal length, it’s not as good as an L series lens but better than a consumer grade lens….. a good compromise in term of price versus IQ and size.
Up to now i have to say that i’m really satisfied with the flare resistance of that lens, certainly better than my 70-200mm/4 L (non-IS). As you can see in the photos above even with the sun directly in the frame the lens didn’t show any flare.
70-300mm IS MK II vs 70-200mm/4 L (non-IS)
One of the reason I bought that lens is because that I often missed the 200mm to 300mm range. I don’t expect the IQ of it to be as good as the 70-200mm/4 L (non-IS) , especially wide open, but if it’s close enough it will be worth it.
You can see from the crops above that there is not much difference in details resolution, the 70-200mm/4 L (non-IS) is a little sharper but not by much. The 70-300mm produce more CA in the OOF areas and at the same setting it’s wider than the 70-200mm and the 70-200mm produce a smoother “Bokeh”. I will not post many crop because it’s always nearly the same difference in framing and sharpness between the two lenses.
This is my impression after about 1 month of field use, i will post updates as i gain more field experience with that lens but it’s already proved to be a very useful and versatile lens.
It’s a very good lens that delivers very good results in the field, good contrast, Bokeh is not too bad and sharpness is certainly very good. This lens is doing good to very good in most department but it’s not an “L” lens, if you want the best IQ possible in all department then buy the 70-300mm L IS lens, but if you don’t want or need the “L” version this 70-300mm IS MK II is worth considering. I already like it and can’t wait to use it for photographing my Frog friends next summer !
Canon 24mm STM review.
I love “Pancake” lenses because they don’t take too much space and don’t add a significant amount of weight in my camera bag ! A Pancake lens needs to have some compromise optically to be so small, so you can’t have it all for such a small lens and low price. Usually they are slower lenses, it’s inevitable if you want a pancake lens, if you want a fast lens it will be bigger and heavier. I’ve owned some Pancake lenses over the years, very good ones like the Fuji XF 27mm and some not so good like the Sony E-mount 16mm. Pentax makes some great Pancake lenses in the DA Limited series, currently I own the Pentax DA 40mm/2.8 XS which is a derivate of the Pentax DA 40mm/2.8 Limited but even smaller …. it’s the smallest lens available for an APS-C camera.
Canon finally came-up with two Pancake lenses, the 24mm STM and 40mm STM. For me the 24mm was more interesting since I already had the Pentax DA 40mm XS in my bag and also because of the close focusing ability of the 24mm which is interesting for it’s focal length. So I bought one last fall (2015) and I now have enough experience with it to share my thoughts with you.
The built quality is not as good as the Pentax Limited lenses which are all metal construction, even the front lens cap is made of metal. But for a plastic lens at that price it’s quite good, especially if you compare it to Canon’s 50mm/1.8 or the 18-55mm kit lenses !
The IQ of the Canon 24mm STM is quite good at normal distances and also at the closer focusing distances but some distortion can be seen. It’s not as good as my Pentax DA 40mm XS but it’s not the same focal length, maybe I should try a head to head battle between my Pentax and the Canon 40mm STM ( would have to buy one first) !!! So, in term of sharpness I would rate it as very good.
I find the new STM AF system “strange”, it take some times to get used to it, the lens tend to hunt in some situations. I’m using it mainly in LV and on a tripod so even if the AF is not top notch I don’t mind. Keep in mind that i’m using it on a 7D, so a more modern 70D or the new 80D certainly are better cameras to take advantage of the STM motor.
What I like about that lens is when i use it for “close-up” shots, it produces a feeling of being more intimate with the subject compared if I had used a longer lens like a 100mm Macro lens which produce a more compressed look due to being a telephoto lens. The minimum focusing distance of 0.16 meter gives you a maximum magnification of 0.27, which is very good for a 24mm lens. Most of the 24mm lenses don’t focus close enough, i think manufacturers could make an effort to design more lenses with a closer minimum focusing distance. Tamron new SP 35mm/1.8 VC and 45mm/1.8 VC are very good examples of lenses that focus closer than the competition and really interest me.
Update on CA
I wanted to update my review about the CA that I didn’t talked much about. It might not be evident on regular subjects or even on more prone subjects like high contrast but during this winter I was able to find some CA on ice and snow shots. Sure it’s not visible at regular viewing but when zooming in you will see it but it’s easy to correct in LR.
As you can see there is more to a lens than sharpness, sure I like very sharp lenses but when buying a lens i also look at the lens in general, not just how much details it can resolve. Usually i prefer a lens that will focus closer to a lens that is the sharpest lens on earth but can’t focus close enough for my needs. It’s because of my shooting style, it will probably be different for another photographer.
The more I use that lens on a crop sensor camera the more I realize that I like shooting at that focal length. It’s a very useful FOV and especially with the closer focusing of the 24mm STM it makes a great all around lens. I now see more and more potential photos as I become more familiar with it. At one moment it’s a “Wide angle” lens and then it becomes a Close-up lens.
Canon came out with a very good lens with some compromises (CA and distorsion), but because of it’s small size, very good IQ and minimum focusing distance, it now have a place in my camera bag with my other Pancake lens, the Pentax DA 40mm XS, especially since I paid less than 300$ Canadian for 2 lenses ! I can’t wait to use it for photographing Frogs up-close next summer and I think it will do a great job even if there is no IS incorporated. The only thing i’m missing now to take full advantage of it’s small size …… is a Canon SL1 !
Pentax DA 16-85mm WR early review.
It’s full name is : HD Pentax-DA 16-85mm/3.5-5.6 ED DC WR. I did owned the Canon 15-85mm/3.5-5.6 and liked it a lot because of it’s range and quite good IQ, it was especially useful during our family vacation we took 2 years ago in the province of New Brunswick and P.E.I. here in Canada. The Pentax is even more desirable to my eyes because it incorporates WR, is cheaper than the Canon as well when there is no rebates. The Canon quickly developed zoom creep, which it’s known for, hope the Pentax will do better in that department. They both focus down to 0.35 meter and uses a 72mm filter size.
My first impression when i removed the lens from the box was it’s solid feel in my hand, always a positive thing to feel that a lens can take some abuse. The zooming ring feels stiff enough for the moment to prevent zoom creep, will have to wait after some months of field use to see if it will maintain that stiffness and not suffer from zoom creep.
IQ and field experience
One of the most important selling point of lenses is sharpness, if a lens can’t deliver in that department most people will not buy it. Do you need to absolutely have the sharpest lens available, probably not, but a lens needs to be at least very good. Does the Pentax DA 16-85mm is good enough …….. after shooting for some weeks with it in the field i can say that it’s a very good lens.
The focusing ring is placed close to the mount, which is not my favorite place to put it on a lens, which seems to become a “trend” with lens manufacturer, i prefer the “old” way. It’s probably because now peoples are using lenses mostly in AF mode and it’s a better place to put the zooming ring more at the front of the lens. I would have liked the focusing ring to be larger also but i will live with it. It’s my first Pentax lens with a DC motor and it’s quite fast and silent. The AF is very good in LV at any distances, works really well in the field with most subjects.
Flare control is always very good on Pentax lenses, so this lens is no different than all the other Pentax lenses i’ve owned.
The more i use it the more i find that it’s a very useful lens for nature photography because it’s a complete package.
Close-up , does the image quality is maintained ???
The lens alone can focus quite close at 35cm resulting in a reproduction ratio of 0.26x, which is not bad. My Canon 15-85mm was not so good at 85mm at the minimum focusing distance, the IQ dropped, especially in the corners. Does the Pentax 16-85mm will perform better, will it make a good occasional “Close-up” kit ?
I gave it a try this morning, mounting it on my tripod i photographed some leaves on the ice. First thing i have to say is that the fact that it’s a Zoom makes it easier to change my framing, when using a prime Macro lens if your too close you have to play with the legs of your tripod, not as fast and effective.
I compared it with my Tamron 90mm Macro (model 72E) to see how it really performs at close range. It’s not fair in term of pure sharpness but i needed a benchmark, i’m not expecting the same degree of details from the DA 16-85mm, especially in the corners. But if the quality is good in the center it might be helpful for some Frog shots.
Here is my test subject:
At f/5.6 the Tamron has the advantage by a slight margin but at f/8 (the crop posted here) there is no real advantage, i would call this negligeable for field work. Adding the PP and sharpening and both could be printed quite large with very good IQ.
Pentax came-up with a great lens, from my experience it’s a better lens than the Canon 15-85mm that i was using in the past and it has the bonus of weather sealing !!! It makes a very good combo with my K50 and tough enough to shoot in very bad weather. It fits perfectly for the kind of photography I do, it can be landscape, Close-up or even family photos. With that lens i can do all that in good or bad weather while producing beautifully detailed photos. Like i said, my only complaint is the placement and size of the focusing ring, but that’s a personal thing because i’m using MF a lot in my photography.
Well, some will say that it’s pricey but if you look at how many lenses it replaces and how good it is, even for close-up photos, i think it’s well worth the price. Sure it’s a “slow” lens, if you need a lens with a faster maximum aperture to use in very low light it’s not the lens your looking for. But for a nature photographer who want a good lens that is not too big or heavy, for travelling or for everyday use, i think it’s one of the best option in Pentax land. Pentax really proved with that lens that they can make some excellent zoom lenses, not only small prime lenses. I will post updates when I will be able to try it out on Frogs.
Sigma 180mm/5.6 APO Macro, Review update.
I wanted to do some updates about that lens since i now have more “in the field experience” with it. In short, i’m now using it more often than my Tamron 90mm/2.8 Macro lens, which was supposed to be my main Macro lens ! There is 2 main reasons for that: more working distance and better looking Bokeh !
The more i use that lens the more i like it, sure it’s not the toughest lens in town but it’s certainly better than a full plastic kit lens. The Sharpness and Bokeh quality surprised me considering the age and price of that lens. Apart from W/O at f/5.6, this lens is quite sharp, i consider it as sharp as my Tamron 90mm/2.8 Model 72E.
One aspect that i was able to test in the field recently is the CA at f/5.6, i was shooting ice lately so i can now say that this lens is very well corrected, see the crop below.
As i said earlier, the Bokeh of this little Sigma is very pleasing, smooth and good looking.
I still don’t like the aperture ring but i’m getting used to it …. sort of. The lens is doing well with my Fuji X-E1 (all the photos posted here were taken on my X-E1) because of it’s size and weight. I just bought an adapter to use the lens on my Canon 7D, i didn’t had the time to try them together but i’m sure they will work well even if the 7D don’t have focus peaking like the X-E1. That Sigma 180mm/5.6 Macro is now part of my regular kit and it’s always in my camera bag, it makes a very good combo with my X-E1 and produces great images !
Sigma 180mm/5.6 APO Macro, my first impressions.
Why this old and slow Sigma 180mm/5.6 APO Macro lens ?
When i bought a Fuji X-E1 it was to have a smaller and lighter system, so i try to keep the lenses small and light as well without compromising the IQ. The Fuji short registration distance is an advantage when you want to adapt older lenses. I already own a Tamron 90mm/2.8 Macro (1:1 ratio), so i wanted a longer Macro lens for photographing frogs or subjects that are difficult to get close. Then i remembered that Sigma did produced a 180mm/5.6 APO Macro in the film days. I was lucky to find a MF version in Olympus OM mount in good condition but without the lens hood, so i bought a rubber hood for it. I paid around 170$ Canadian for it, a good price for a Macro lens that long.
Sigma didn’t produced many of these probably due to the slow maximum aperture which was not that useful in film days when slow films were the norm to obtain better IQ, the f/2.8 version was probably more popular. But now with digital sensors a slow lens is more manageable, especially for a 180mm Macro lens that will be stopped down anyway to gain some DOF.
At only 435 gr. and a filter size of 52mm it’s a surprisingly small lens, if you compare it to my Tamron 90mm/2.8 Macro (model 72E) which is a 1:1 repro ratio lens and weights 403 gr. with a filter size of 55mm.
Here is the specifications of both lenses:
Sigma 180mm/5.6 APO Macro:
Tamron 90mm/2.8 Macro model 72E:
Handling and built quality
It’s clear that in those years Sigma lenses were not the best made lenses, i’ve owned other Sigma lenses made in the same years as this one and they all felt like this one. Good but not as well made as Pentax, Fuji or Canon that i’ve used. The aperture ring is not smooth in operation, but i can live with it, if i drop that lens i think it would not survive unlike some of my older Pentax lenses especially the Takumar M42 lenses !
The positive thing is that the focusing ring is large, which i like to have on my lenses, i hate those tiny small focusing rings that some AF lenses have. On my lens the focusing ring is not constant, when i turn it it goes from smooth to some tension and then back to smooth, maybe it would need some tune-up of the focusing system inside. In general it’s easy to use with the OM adapter on my X-E1 because it’s a lightweight lens, if i would have bought the newer 180mm f/3.5 version the combo would have been bigger and heavier.
Usually Macro lenses are sharp and choosing from one or another one is a matter of functionality but also of focal length. This Sigma certainly can deliver images with very good details when stopped down. At f/5.6 i think it’s the weakest aperture of that lens, but from f/8 to f/16 the lens produce very good images. Being an older lens that was design before the digital era, the contrast is lower than modern Macro lenses but it’s easily corrected in PP.
Just for fun i decided to take some test shots with this Sigma 180mm and my Tamron 90mm/2.8 Macro (model 72E) to really see how good it really is. I found dead leaves in my backyard as my subject and started at f/5.6 then f/8, f/11 and finally f/16. I was not surprised to see that the Tamron was the winner at f/5.6 since it was already stopped down 2 stops and the Sigma was W/O, if needed the Sigma can be used at f/5.6 since it’s good but not as good as the Tamron here. From f/8 to f/16 the Sigma closed the gap but i think the Tamron can still produce a little more details, but the Tamron 90mm Macro is one of the best Macro lens, in any of it’s versions that was made. Even then i think that the Sigma is more than sharp enough from f/8 to f/16 to be used without any problem, you just need a little more PP to bring some contrast in the photos.
As for the color reproduction, the Sigma has a colder rendering than the Tamron but again now with PP it’s easily corrected to your preferences. The Sigma can produce images with beautiful rendering and the Bokeh is not too bad either probably due to it’s 8 blades diaphragm.
That’s it for now, they are my first impressions after some weeks of using it in the field, i will post more photos in future articles. So, if you need more reach in your Macro work but don’t want to break the Bank, give this lens a serious look. The Sigma 180mm/5.6 APO Macro might not be the best in any department but certainly can deliver sharp and beautiful images when you have learned how to use it at it’s best settings. Sure the newer f/3.5 and f/2.8 versions from Sigma would certainly get you sharper photos but at a big cost in size, weight and price (especially the new f/2.8 version). So if you’re on a tight budget or don’t want a heavy 180mm Macro lens this f/5.6 version can be a very good option.
Fuji XF 55-200mm, field review.
Telephoto zoom lenses are very popular because of their versatility and space saving compared to having several prime lenses to cover the same range. I’ve owned some of them in different mounts, so when i switched to Fuji i wanted to cover the maximum range with the minimum lenses. So i bought the 18-55mm and not long after i bought the XF 55-200mm because of it’s attributes (aperture ring, built quality and OIS) and IQ. Sure the XC 50-230mm is smaller and lighter but i wanted the better IQ and built of the XF 55-200mm.
I will be talking on how this lens performs in the field as a Nature photography telephoto lens, covering landscape, close-ups and some wildlife. Telephoto zoom lenses in that range are very useful in my photography, a big part of what i photograph is covered by the XF 55-200mm.
Currently i’m using it on my X-E1 and mostly on a tripod, i would say that this lens is the limit in size and weight that i would use on this camera, bigger than this lens and it would require an X-T1 with a grip (which i plan to buy eventually). One of the reason i went with Fuji is because they have designed their system like the old days with an aperture ring on the lenses and direct dials on their cameras. As already pointed often in reviews and by users the aperture ring can be accidentally knock off from the aperture you had selected, but i don’t think it’s too bad as i always check the info in the EVF or on LCD before shooting to see my settings. With some time now after using it in the field i’m used to the balance of the lens on my X-E1 and it’s not too bad after all, sure not the best combo but worth it.
The lens hood have some play when installed, i bought a JJC hood but it also have the same loose fit, so Fuji still have some work to do on the lens hood locking system. Another thing is the zoom ring that is not too smooth, it’s on the stiff side but i prefer that than having a zoom ring that is too easy to turn and having a lens that suffers from zoom creep …. i really hate zoom creep because i’m mostly a tripod shooter so i’m pointing the lens up or down quite often to get the compositions i want in my photography and i want a lens that keeps steady during the exposure. On the plus side about the Zoom ring, i really like it’s rubberized finish, easy to grip and to differentiate it with the focusing ring. I would have liked the focusing ring and aperture ring to be like the XF 14mm but i guess we can’t have it all !
The lens focuses relatively close at 1.1 meter which is about the same as the Pentax DA*50-135mm/2.8 and Canon 70-200mm/4 L that i was using before i switched to the Fuji X system. You can get some good “close-up” shots and still maintaining good IQ (see crop below), the lens also performs really well at normal and long distances, for a zoom this is very good indeed. Sure a good prime lens in the same range might resolve more details at wider apertures but the convenience of that zoom wins over ultimate sharpness. Up to now i like how the lens performs in terms of color rendering and sharpness. That lens have nothing to envy to other brands top quality lens, i’ve owned Pentax DA*50-135mm/2.8, Canon 70-200mm/4 L and Sony 70-300mm G Series Telephoto zoom lenses and the Fuji is as good as all of them.
With Extension tubes
Well, when i bought it i was hoping to use my extension tubes with that lens to photograph Frogs when they are in the water and are difficult to get close. After using it on some occasions the results are not as good as i was thinking it would be. I tried the lens with my 2 extension tubes (with the 10mm or with both for a total of 26mm) to get closer focusing when photographing Frogs. The IQ in the center remains very good but even the in-focus areas in the borders and corners looks smeared, (see below the crop from the border of a photo of a frog) … btw the eye of the frog is perfectly sharp. I don’t know if it’s because the lens was designed to be close to the sensor are it doesn’t work well with extension tubes. I’ve never had such problems when using FF lenses with ext. tubes on my Pentax or Canon cameras, maybe it’s because it’s an APS-C lens or OIS and as the lens gets farther away from the sensor IQ of the corners suffers more ???
The next 2 photos of a small river near my home were taken on a cold morning (0°C), in fact it was our first time that we had frost on the ground during the month of September this year. It shows how useful is the XF 55-200mm for landscape photography because you can quickly change the composition, especially with fog it’s important to work rapidly because when the sun start to warm it up, the fog will quickly evaporate.
For the price i paid (550$ Canadian in sale for a brand new one) i think it’s a great buy ! Fuji did an excellent job with that lens, a good compromise between IQ, size, weight and maximum aperture. It’s a lens that i really like and is doing very well in the field when i need some reach for my landscape photography but also “close-up” and some wildlife. I don’t know if i will switch to the new XF 50-140mm WR when it will be available because i think i would probably miss the gap between 140-200mm ….. i was missing that gap when i was shooting with my Pentax DA*50-135mm.
This lens might not be for everyone, some will find it too big and heavy for their taste or use, but for me it ticks most cases. I would recommend that lens to any Fuji users because it’s a versatile lens backed by a very good IQ and renders beautiful images.
National Geographic NG A2540 Camera Bag Midi Satchel Africa Series review
I recently bought a National Geographic “Earth Explorer series” Holster bag 2342, it’s a small shoulder bag when i want to carry only my Fuji X-E1 + XF 27mm, see my post here:
But i wanted a bigger bag to carry everyday in which i could fit my X-E1+27mm and accessories and sometimes with an additional lens like my XF 14mm or my Vivitar 100mm/3.5 Macro lens. Also it would be large enough (but not too big) to carry some personal items like my wallet, keys, Cell phone, medications …
Since i liked my National Geographic bag (2342) i looked at other models from this brand as well as other brands. After some research i decided to pull the trigger on the National Geographic A2540 Midi Satchel ” Africa Series ” bag.
In the photo above you can see the size of the bag compared with my Fuji X-E1 + XF27mm.
On this Tag you can write your name, address and phone number in case you loose your bag somewhere.
For photos and dimension of the bag take a look at the link to the official site of National Geographic bags:
The prices on the site or in Canadian dollar but you can select another country. I didn’t pay that price, i found a store here in Canada that was selling them for 50$ (in sale), so i didn’t hesitated very long. I also bought the shoulder pad to go with the bag, … it’s stiff , i tried to bend it and form it to my shoulder but i still don’t find it comfortable .
The bag is made of very tough material and it feels like it can survive anything you can throw at it, so it should be with me for many years to come. The bag is not rated as waterproof but i used it in light rain without any problems, if you need it to be fully waterproof there is a waterproof cover available.
What i like about this bag is that all the pockets and the main compartment are closed with a zipper which is great to protect the equipment from rain and dust, some bags have just the big flap with 2 buckles to close the main compartment. As you can see in the link of National Geographic there is a removable insert bag which contain the camera and lenses and can be removed from the bag to make it a regular bag. I can fit my Fuji X-E1+XF 27mm and my XF14mm (or 18-55mm) as well as some SD cards in a Ziplock bag and a dust blower. Even with the insert in position in the main compartment of the bag i can also fit my Vivitar 100mm/3.5 Macro in the remaining space. Inside the bag there is another compartment to fit an Ipad or a small Laptop. I don’t use it for this but i fit my Extension tubes, cable release and quick release plate just in case i would need one of them.
In the photo above is my X-E1 + XF27mm, in the second compartment it’s my XF14mm, both in the removable padded bag. You can see that there is a place on the far right for another lens, i sometimes put my Vivitar 100mm/3.5 Macro (in Pentax K-Mount).
I’ve been using it as my everyday bag for some weeks now and i really appreciate it, feel solid and for my needs it’s a good size without being too big and heavy. I’m now used to get my camera quickly out of the bag, the zippers feel solid and are easy to operate. When i choosed that bag my goal was also to have a bag that didn’t looks like a camera bag so peoples wouldn’t know i’m carrying a camera with me. So on some occasions i went to the Bank and stores and peoples said to me ” so you just finished working” when they saw that i had my bag they probably thought it was a Laptop inside with papers from my work.
So if you’re looking for a well made, tough and practical bag that don’t look like a camera bag you should take a serious look at the Africa series from National Geographic!
National Geographic “Earth Explorer series” Holster bag 2342.
When i bought my Fuji X-E1 with the 18-55mm and 27mm i needed a smaller camera bag to carry that the camera would fit with one of my 2 lenses with accessories like a spare battery and SD cards. I wanted a camera bag that didn’t look like the regular camera bags, at first i wanted a waist bag but changed my mind and decided to go for a small shoulder bag style. I had two brands in mind, Billingham and National Geographic bags because of their look and materials.
Here is the link to the USA site, that bag was not available in Canada even if the others from the series are available, so i had to bought it in USA:
Here is the main site without the prices, but all the collections are there, some interesting products:
After some research on the web and thinking i finally ordered the National Geographic “Earth Explorer series” Holster 2342 bag. The material and look reminds me of the old backpacks that my grandfather was using while going hunting and fishing. The size was just about perfect to carry my Fuji X-E1 kit without ending taking too much gear, the bigger the bag you use you will always end up filling it and it’s finally heavier than you wanted it to be in the first place. If i need more gear i will use my Lowepro Inverse 100 AW waist bag which can holds a little more gear.
My goal was also to just enjoy using my kit like the old days of Manual focus cameras, old style bag, old style camera with my old manual cable release that i was using with my Pentax K1000 when i started photography. You might think that i’m crazy to put that much thought for just a camera bag but i wanted to have a different kind of experience when shooting with my X-E1 compared to when i’m using my Canon DSLR kit which is more of a plastic, modern feel and heavy to carry in the field.
Here is a short video i made with the bag and my Fuji X-E1 + 27mm:
I tried my X-E1 + 18-55mm, it fits with the lens pointing down, i had to remove the divider in the bag though, it’s the biggest and longest lens it will fit. So it’s best to use it with smaller lenses like the 27mm, especially if you want to bring a filter, spare batteries and SD cards. For just my X-E1 + 27mm it’s perfect, i was able to fit a Polarizer, SD cards, a spare battery and even fit it with my QR plate for my big Ballhead. It would be a great bag for the Pentax Q series cameras, you can certainly fit the camera with a lens attached and still be able to bring 1 or 2 lenses ! I was able to fit my Pentax K-01 body only, i’m sure it would also fit with either the DA40mm XS, DA40mm Ltd or even the DA21mm Ltd attached.
In the field the bag work really well, it’s comfortable since it’s small and the camera in it is small and lightweight as well. The camera is easily accessible when you need to get it out as well as the accessories in the front pocket. I like the zipper and flap that closes the bag, it’s a double protection. The material looks very tough, there will be no problem using that bag in the field for many years to come. The padding looks not as thick as the ones in my bigger camera bags from Lowepro and ThinkTank but since the cameras that fits in it are small and lightweight it’s probably more than enough to protect them. There is a rain cover available for the Earth Explorer series, i might buy it eventually if i see that i need more protection against the rain.
So this is my first impressions after a short time of using this bag, will certainly do an update later this year to see how it survive in the field.
Tamron SP 90mm/2.8 Macro VC USD, is it a good choice ?
My first Macro lens i bought back in 1992 was the Tamron SP 90mm/2.5 (1:2 ratio, Manual Focus) , i really liked that lens, very good for the price. I used it until i switched to digital in 2006 and found that it was prone to sensor flare. After that over the years i’ve used many Macro lenses from Nikon, Olympus (OM and m4/3), Vivitar 90-180mm Flat Field but mostly from Pentax. Before switching from Pentax to Canon i was owning 3 Macro lenses: Pentax DA 35mm/2.8 Macro Ltd, SMC Macro-Takumar 50mm/4 and Pentax DFA 100mm/2.8 Macro WR. The Pentax DFA 100mm Macro WR is my favorite Macro lens that i’ve ever used, so when i switched to Canon i wanted to have the same advantages …. Weather sealing and IS (IBIS for Pentax) since i like photographing frogs i often shoot in wet and muddy habitat and also often handholding my camera because a tripod is not always practical.
At first, i wanted to buy the Canon 100mm Macro IS L, price, size and weight were cons for that lens compared to what i was used with my Pentax (FF lens also). Then i found that Tamron was making a 90mm Macro with VC and weather sealing (Unfortunately not available in Pentax mount), smaller and lighter than the Canon. Sure it does not feel as solidly built than the Canon and especially the Pentax which the barrel is made of metal, but it’s good quality plastic and should be able to survive regular use in the field. A Canadian store had a good rebate on the Canon but especially on the Tamron (600$ CDN) … more than 400$ cheaper than the Canon! So after reading reviews and user opinions i finally pulled the trigger on the Tamron 90mm Macro VC USD, as a bonus here in Canada the Warranty from Tamron is 6 years.
For the moment i will be owning only 1 Macro lens for my Canon kit so a lens in the 90mm-100mm range was my choice. A longer Macro lens is helpful for insects that are difficult to get close, for the moment i will use Ext. tubes on my 70-200mm/4 L if i need more reach when photographing Frogs.
This lens is Weather sealed but couldn’t find a definitive answer on how much weather sealed it really is, so i did sent an E-Mail to Tamron Canada and the next day i received the following answer:
“The weather sealing on your 90mm F/2.8 VC lens is provided by the gasket on the rear of the lens. There are no other gaskets or seals in the lens.”
Compared to the Pentax DFA 100mm Macro WR, which have several gaskets inside the lens also, the Tamron can’t be used in constant rain like the Pentax can, but there is no gap between the focusing ring and the plastic barrel, so maybe it can take some light rain, the weak point might be the switches. The seal around the lens mount doesn’t look as tough as the one on the Pentax DFA 100mm Macro WR but i will have to wait and see how well it will hold-up in the long term.
I made a short video showing the gasket on the rear mount of the lens:
The lens is made of plastic but feels solid, i like tha it’s an IF lens, it will not extend when getting close to my subjects. The focusing ring is large and easy to grip. I would have liked the focusing ring to be more progressive, by that i mean taking more turn from infinity to minimum focusing distance (it takes 1/2 turn from minimum to infinity). Because of that, at close range, just a little turn of the focusing ring and it makes a big difference on where the focus is made, compared to the old Manual focus lenses it’s not as easy to use … but most of the AF lenses suffers from that unfortunately.
On the lens you will find 3 switches (focus limiter, AF/MF and for the VC On/Off), all 3 are easy to use and i have no complaint about them.
Before going to results in the field i want to talk about a little thing that i like about that Tamron lens …. the lens caps ! They are the best i’ve seen on a lens, thick enough and easy to use with a good firm lock, easy to use even in winter with cold fingers, same for the lens hood. Compared to the Canon front lens caps which are the worst i’ve used , too thin and difficult to use.
Results in the field
Modern Macro lenses are all very good, the choice of one over another is based more on features and focal length. Depending on your needs and the subjects you want to photograph there is a Macro lens that is more suited for the task.
The lens also performs very well at normal shooting distances, like this shot of a frozen waterfall, taken at f/11, tripod.
I finally had some time and opportunities (spring was late this year and subjects were difficult to find), this lens performs really well and IQ is very good. I have no doubt and use it at any aperture, sure there is a little drop of resolution as you stop it down to f/11-16 but still very usable, wouldn’t use f/22 as the drop in IQ is too much for my taste.
The Bokeh looks good even if there is some Bokeh fringing (green in the OOF background), which is not that evident at normal viewing distance, i can live with it. In the photos posted here the OOF area are smooth and doesn’t distracts the eyes from the main subject.
This lens is bigger and heavier than my previous Pentax DFA 100mm Macro WR but it handles quite well on my 7D and T3i and it works well for ground level subjects with the VC and the articulated LCD of the T3i.
Tamron produced different versions of this 90mm (f/2.5 and 2.8) over the years and they all have a very good reputation for delivering great results and this one is no exception, Tamron did another great version of their 90mm Macro. It may not be as weather sealed as my Pentax DFA 100mm Macro WR was, but it’s a great lens that fits my needs and at a very good price. If you’re looking for another option than the Canon, Nikon or Sony brand Macro lens in that range this one certainly deserve a good look before taking a final decision. I will post updates when i will have more experience with that lens for photographing Frogs at my favorite pond.